{"id":7033,"date":"2020-09-10T10:55:14","date_gmt":"2020-09-10T08:55:14","guid":{"rendered":"https:\/\/weirdmarket.es\/?page_id=7033"},"modified":"2025-09-22T12:04:08","modified_gmt":"2025-09-22T10:04:08","slug":"market-selection-2025","status":"publish","type":"page","link":"https:\/\/weirdmarket.es\/en\/market-selection-2025\/","title":{"rendered":"MARKET SELECTION 2025"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-fx7fz-525663a56cb31b39ff91cd4644a5c283 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  avia-builder-el-no-sibling  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-7033'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jytujvh3-4dad87cdf5b5201936da2a97e51f167e\">\n#top .hr.hr-invisible.av-jytujvh3-4dad87cdf5b5201936da2a97e51f167e{\nheight:75px;\n}\n<\/style>\n<div  class='hr av-jytujvh3-4dad87cdf5b5201936da2a97e51f167e hr-invisible  avia-builder-el-1  el_before_av_heading  avia-builder-el-first  av-desktop-hide av-medium-hide'><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0\">\n#top .av-special-heading.av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0{\npadding-bottom:10px;\nfont-size:60px;\n}\nbody .av-special-heading.av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0 .av-special-heading-tag{\nfont-size:60px;\n}\n.av-special-heading.av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0 .av-subheading{\nfont-size:15px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-2f9c1ee8ec739fe58f8fdaf8634472c0 av-special-heading-h1 blockquote modern-quote modern-centered  avia-builder-el-2  el_after_av_hr  el_before_av_hr  av-inherit-size'><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >WEIRD MARKET &#8211; SHORT FILMS SELECTION<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jytugm8c-75266d8620dd77dafcf40890ef709a37\">\n#top .hr.av-jytugm8c-75266d8620dd77dafcf40890ef709a37{\nmargin-top:0;\nmargin-bottom:30px;\n}\n.hr.av-jytugm8c-75266d8620dd77dafcf40890ef709a37 .hr-inner{\nwidth:150px;\nborder-color:#000000;\n}\n<\/style>\n<div  class='hr av-jytugm8c-75266d8620dd77dafcf40890ef709a37 hr-custom  avia-builder-el-3  el_after_av_heading  el_before_av_button  hr-center hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='avia-button-wrap av-kf5bgxi5-fae1a3c6e503c800a40c2afd10bf0d8d-wrap avia-button-center  avia-builder-el-4  el_after_av_hr  el_before_av_textblock '>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kf5bgxi5-fae1a3c6e503c800a40c2afd10bf0d8d\">\n#top #wrap_all .avia-button.av-kf5bgxi5-fae1a3c6e503c800a40c2afd10bf0d8d{\nbackground-color:#ffcc40;\nborder-color:#ffcc40;\ncolor:#0a0a0a;\ntransition:all 0.4s ease-in-out;\n}\n#top #wrap_all .avia-button.av-kf5bgxi5-fae1a3c6e503c800a40c2afd10bf0d8d .avia-svg-icon svg:first-child{\nfill:#0a0a0a;\nstroke:#0a0a0a;\n}\n<\/style>\n<a href='https:\/\/weirdmarket.es\/wp-content\/uploads\/2025\/09\/reducido_Catalogo-general-Weird-Market-2025.pdf'  class='avia-button av-kf5bgxi5-fae1a3c6e503c800a40c2afd10bf0d8d av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-center'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\"CHECK OUT THE CATALOGUE\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue84e' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >CHECK OUT THE CATALOGUE<\/span><\/a><\/div>\n<section  class='av_textblock_section av-k0nnvbe5-b000cea1bf4cbddfc9124d36d35cec91 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: justify;\">Discover the selection of short films that will appear in this edition&#8217;s catalog.<\/p>\n<p style=\"text-align: justify;\">Distributors, programmers and buyers of short films will be able to view all the works on the video booths.<\/p>\n<h2 style=\"text-align: justify;\">NATIONAL SHORT FILMS<\/h2>\n<ol style=\"text-align: justify;\">\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>1 +1 +1&#8230;<\/b><span style=\"font-weight: 400;\">, P\u00e9rez Esteban Jos\u00e9 Antonio \/ 2025 \/ 8&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The 7th Avenue<\/b><span style=\"font-weight: 400;\">, Roger Escalante, Carles Caralt, Max von Luna, Gemma Brunet, Gabriela Iturralde, Paula Vicente, Laura Y\u00e1\u00f1ez, Isaac Ballesteros, Nicholas Robert Lee \/ 2024 \/ 3&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>25 haikus animados<\/b><span style=\"font-weight: 400;\">, Jaime Penalva \/ 2025 \/ 3&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ace<\/b><span style=\"font-weight: 400;\">, Bruno Sim\u00f5es \/ 2024 \/ 6&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Among the Lights of my Innocence<\/b><span style=\"font-weight: 400;\">, Laura Zamora \/ 2024 \/ 11&#8242; \/ 2D, 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Anaglifo<\/b><span style=\"font-weight: 400;\">, Valle Comba \/ 2025 \/ 9&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Azkena<\/b><span style=\"font-weight: 400;\">, Ane In\u00e9s Landeta, Lorea Lyons \/ 2024 \/ 9&#8242; \/ 2D, Drawing on paper<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Behind the Ringtone<\/b><span style=\"font-weight: 400;\">, Bruno Vega D\u00edaz \/ 2024 \/ 10&#8242; \/ 3D Digital, Mixed techniques<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BEING BOULDER<\/b><span style=\"font-weight: 400;\">, Eva Escriv\u00e1 Palomo \/ 2024 \/ 1&#8242; \/ 2D, Cut-out<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Bizarre Chronicles<\/b><span style=\"font-weight: 400;\">, Albert Rodr\u00edguez Modolell \/ 2025 \/ 9&#8242; \/ AI<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The bookmark<\/b><span style=\"font-weight: 400;\">, Juanca Arniz \/ 2025 \/ 4&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Bright<\/b><span style=\"font-weight: 400;\">, Caterina de Marchis O\u00f1ate, Ana Tirado S\u00e1ez-Bravo \/ 2025 \/ 6&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ch\u00e2teau La Belle<\/b><span style=\"font-weight: 400;\">, Gianmarco Serra, Simona Nobile \/ 2025 \/ 15&#8242; \/ Mixed techniques, AI \/ Co-production with Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Childhood<\/b><span style=\"font-weight: 400;\">, Jes\u00fas Garc\u00eda Nu\u00f1o de la Rosa, Emiliano Reyes \/ 2024 \/ 5&#8242; \/ AI<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b><span data-sheets-root=\"1\">Cuando llegue la inundaci\u00f3n<\/span><\/b><span style=\"font-weight: 400;\">, Antonio Lomas Domingo \/ 2024 \/ 6&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dance with the Reaper<\/b><span style=\"font-weight: 400;\">, Berta Alsinet, Paula Anglas, N\u00faria Aranda, Martina Berney, Joan Cortit, Laia Domene, David Mart\u00edn, Carlota Mass\u00f3, Roger Menta, V\u00edctor Moya, Gisela Torras \/ 2024 \/ 4&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dark, Light, Yellow<\/b><span style=\"font-weight: 400;\">, Fran Gas \/ 2024 \/ 5&#8242; \/ AI<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The diva, my grandma and me<\/b><span style=\"font-weight: 400;\">, In\u00e9s G. Aparicio \/ 2025 \/ 10&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dorm Labs<\/b><span style=\"font-weight: 400;\">, Lucas Oliver Meis \/ 2025 \/ 2&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dra. Paciente<\/b><span style=\"font-weight: 400;\">, Daniel Rodr\u00edguez Palacios, Anah\u00ed Sotelo Garc\u00eda \/ 2025 \/ 7&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A Dream To Pursue<\/b><span style=\"font-weight: 400;\">, Joel Rodr\u00edguez Orth, Carolina Cao Salguero \/ 2025 \/ 7&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Estela<\/b><span style=\"font-weight: 400;\">, Manuel Sicilia Morales \/ 2024 \/ 17&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Flight<\/b><span style=\"font-weight: 400;\">, Alba Romera \/ 2024 \/ 5&#8242; \/ 2D, 3D Digital, Rotoscope<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Gizaki<\/b><span style=\"font-weight: 400;\">, Xanti Rodriguez \/ 2024 \/ 8&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The gray marble block<\/b><span style=\"font-weight: 400;\">, Berta Escobedo Rosado \/ 2025 \/ 4&#8242; \/ 2D, Rotoscope<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Helen<\/b><span style=\"font-weight: 400;\">, Helio Mira \/ 2024 \/ 10&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Holy Silence.<\/b><span style=\"font-weight: 400;\">, Fernando Maycas Sardi \/ 2025 \/ 3&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>I am water<\/b><span style=\"font-weight: 400;\">, Roser Cus\u00f3 \/ 2025 \/ 6&#8242; \/ 2D, Mixed techniques<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>I Don&#8217;t Know What To Do<\/b><span style=\"font-weight: 400;\">, Akshita Tyagi, Leyla Belarbi, Lia Macruz \/ 2024 \/ 4&#8242; \/ Stop motion<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jervasio<\/b><span style=\"font-weight: 400;\">, Felix Bollain, David Rosel \/ 2025 \/ 5&#8242; \/ Drawing on paper<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Keenie 166<\/b><span style=\"font-weight: 400;\">, Blanca Bonet \/ 2024 \/ 14&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Le silence<\/b><span style=\"font-weight: 400;\">, Valent\u00edn Angelo Molinaro San mart\u00edn \/ 2024 \/ 3&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Letting Go<\/b><span style=\"font-weight: 400;\">, Miguel Medrano Malo \/ 2025 \/ 6&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LIGHTS<\/b><span style=\"font-weight: 400;\">, Aitana Cantero Velasco, Mar\u00eda Isabel S\u00e1iz Romero \/ 2025 \/ 5&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Lights<\/b><span style=\"font-weight: 400;\">, Jaime Mart\u00ednez Fern\u00e1ndez \/ 2025 \/ 3&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Little Prince Oscar<\/b><span style=\"font-weight: 400;\">, Miguel Gonz\u00e1lez Bu\u00f1uel \/ 2025 \/ 7&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Mater Benefacta<\/b><span style=\"font-weight: 400;\">, Marc Riba, Anna Solanas \/ 2024 \/ 12&#8242; \/ Stop motion<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Momentum<\/b><span style=\"font-weight: 400;\">, Julien Marsouin \/ 2025 \/ 6&#8242; \/ AI \/ Co-production with Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Momma Doesn&#8217;t Notice Shit<\/b><span style=\"font-weight: 400;\">, Sofiia Nikitina, Juliette Gangl, Vitaly Ushakov \/ 2024 \/ 4&#8242; \/ Stop motion<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Next Stop<\/b><span style=\"font-weight: 400;\">, Maria Barriga \/ 2024 \/ 3&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>One-Way Cycle<\/b><span style=\"font-weight: 400;\">, Alicia N\u00fa\u00f1ez Puerto \/ 2025 \/ 10&#8242; \/ 2D, Stop motion \/ Co-production with Portugal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Peceidas<\/b><span style=\"font-weight: 400;\">, Izhan Alc\u00e1ntara Pozo \/ 2024 \/ 14&#8242; \/ 2D, 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Poor Marciano<\/b><span style=\"font-weight: 400;\">, Alex Rey \/ 2025 \/ 7&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Poperty of the Name<\/b><span style=\"font-weight: 400;\">, Roco G\u00f3mez Maga\u00f1a, Perranube Studio \/ 2024 \/ 4&#8242; \/ Drawing on paper, Stop motion, Rotoscope, Mixed techniques<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Prikosymphono<\/b><span style=\"font-weight: 400;\">, Elena Gazi, Dolan Bailey, Leonardo Dal Fabbro, Alejandra Diaz \/ 2024 \/ 5&#8242; \/ Stop motion<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A promising future<\/b><span style=\"font-weight: 400;\">, Chema Garc\u00eda, Olga de Castro \/ 2025 \/ 8&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Provisional Name<\/b><span style=\"font-weight: 400;\">, Mario Torres Caba\u00f1as \/ 2024 \/ 3&#8242; \/ Drawing on paper, Rotoscope, Mixed techniques<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RIPTIDE<\/b><span style=\"font-weight: 400;\">, Jorge Rimer, Laura Herrero Garc\u00eda \/ 2024 \/ 5&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Roncamor (Days and Nights)<\/b><span style=\"font-weight: 400;\">, Emese Sperlagh, Mercedes Galan \/ 2024 \/ 10&#8242; \/ 2D, Cut-out<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Rub\u00e9n&#8217;s shortfilm<\/b><span style=\"font-weight: 400;\">, Jos\u00e9 Mar\u00eda Fern\u00e1ndez de Vega \/ 2025 \/ 20&#8242; \/ 2D, 3D Digital, Rotoscope<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A Solid Future (spanish version)<\/b><span style=\"font-weight: 400;\">, Javier de la Torre Gonz\u00e1lez \/ 2024 \/ 7&#8242; \/ 2D, 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sweet Cabanyal<\/b><span style=\"font-weight: 400;\">, Anna Juesas, Sonia S\u00e1nchez \/ 2025 \/ 5&#8242; \/ 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Two ways<\/b><span style=\"font-weight: 400;\">, Jose Alberto Duque, Juan Antonio Mart\u00ednez Baraza, Mar\u00eda del Castillo \/ 2025 \/ 3&#8242; \/ 2D, 3D Digital, Mixed techniques<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ventura<\/b><span style=\"font-weight: 400;\">, Juan Andr\u00e9s Cerme\u00f1o Salas \/ 2024 \/ 10&#8242; \/ 2D, 3D Digital<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A VOICE IN THE MIST<\/b><span style=\"font-weight: 400;\">, Mar\u00eda Cristina S\u00e1nchez de Toca G\u00f3mez, Sara (Ru) Mart\u00edn \/ 2025 \/ 6&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Welcome to Happy-verse<\/b><span style=\"font-weight: 400;\">, Daniel Amar, Iv\u00e1n Sarri\u00f3n \/ 2024 \/ 5&#8242; \/ 2D, 3D Digital, Stop motion, Live action<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>When it comes (it will have your eyes)<\/b><span style=\"font-weight: 400;\">, Izibene O\u00f1ederra \/ 2024 \/ 13&#8242; \/ 2D<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Wing Shop<\/b><span style=\"font-weight: 400;\">, Andrea Le\u00f3n, Gabriela Rojas, Sascha Schmit \/ 2025 \/ 5&#8242; \/ Stop motion<\/span><\/li>\n<\/ol>\n<p style=\"text-align: justify;\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-29qypi-346dc42fd415685c297dac86e0aeb4a1\">\n#top .hr.hr-invisible.av-29qypi-346dc42fd415685c297dac86e0aeb4a1{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-29qypi-346dc42fd415685c297dac86e0aeb4a1 hr-invisible  avia-builder-el-6  el_before_av_hr  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p>\n<h2 style=\"text-align: justify;\">INTERNATIONAL SHORT FILMS<\/h2>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>#Yacht<\/b><span style=\"font-weight: 400;\">, Pablo Anasse, Loane Baumer, Marine Bouvier, Marie Malaval, Maxence Mouttou, Florence Susanna\/ 2025 \/ 5&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The 12 Inch Pianist<\/b><span style=\"font-weight: 400;\">, Lucas Ansel \/ 2025 \/ 7&#8242; \/ 3D Digital, Stop motion, Mixed techniques \/ United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Adi\u00f3s<\/b><span style=\"font-weight: 400;\">, Jos\u00e9 Prats \/ 2025 \/ 9&#8242; \/ Stop motion \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>All Hail the Duck King<\/b><span style=\"font-weight: 400;\">, Tommy Howlett \/ 2025 \/ 6&#8242; \/ 2D, Drawing on paper, Mixed techniques \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Amen<\/b><span style=\"font-weight: 400;\">, Orph\u00e9e Coutier. Bettina Demarty, Kimi\u00e9 Maingonnat, Laur\u00e8ne Perego, Louise Poulain, Avril Z\u00fcndel \/ 2024 \/ 7&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>And Granny Would Dance<\/b><span style=\"font-weight: 400;\">, Maryam Mohajer \/ 2024 \/ 10&#8242; \/ 2D \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Apple Gatherers<\/b><span style=\"font-weight: 400;\">, Danielle Rhoda \/ 2025 \/ 9&#8242; \/ 2D, Drawing on paper, Mixed techniques, Live action \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Balconada<\/b><span style=\"font-weight: 400;\">, Iva Tokmakchieva \/ 2025 \/ 8&#8242; \/ 2D \/ Bulgaria, co-production with France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Balkone<\/b><span style=\"font-weight: 400;\">, Xenia Smirnov \/ 2024 \/ 5&#8242; \/ Stop motion, Cut-out \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Beaupr\u00e9 The Giant<\/b><span style=\"font-weight: 400;\">, Fournier \/ 2024 \/ 8&#8242; \/ Mixed techniques \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Black Tide<\/b><span style=\"font-weight: 400;\">, Kim Yip Tong \/ 2024 \/ 14&#8242; \/ 2D, Drawing on paper, Mixed techniques \/ France, co-production with Mauritius<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Brain Space<\/b><span style=\"font-weight: 400;\">, Laura Tofarides \/ 2025 \/ 8&#8242; \/ Stop motion \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CANDICE<\/b><span style=\"font-weight: 400;\">, Swann Valenza \/ 2024 \/ 3&#8242; \/ 2D, 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Cannot sleep\uff01<\/b><span style=\"font-weight: 400;\">, Yingjie Zhou \/ 2024 \/ 2&#8242; \/ 2D \/ Japan<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Caries<\/b><span style=\"font-weight: 400;\">, Aline H\u00f6chli \/ 2025 \/ 10&#8242; \/ Drawing on paper \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Cocoon<\/b><span style=\"font-weight: 400;\">, Yiwei Chen \/ 2024 \/ 4&#8242; \/ 2D, Drawing on paper \/ China, co-production with United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DAGON<\/b><span style=\"font-weight: 400;\">, Paolo Gaudio \/ 2024 \/ 6&#8242; \/ Stop motion \/ Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dare to be Fabulous<\/b><span style=\"font-weight: 400;\">, Zhen Zhou, Xinxin Qin, Carla Sampaio da Silva, Adam Meziane Philipps, Yangjia Chen, Jo\u00e3o Buosi \/ 2024 \/ 6&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dead weight<\/b><span style=\"font-weight: 400;\">, \u00d8yvind Tangseth \/ 2024 \/ 8&#8242; \/ 2D, Drawing on paper \/ Norway<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Detlev<\/b><span style=\"font-weight: 400;\">, Ferdinand Ehrhardt \/ 2024 \/ 13&#8242; \/ Stop motion \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dieter<\/b><span style=\"font-weight: 400;\">, Rolf Broennimann \/ 2024 \/ 11&#8242; \/ 2D, Rotoscope \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dog Bridge<\/b><span style=\"font-weight: 400;\">, Jorn Leeuwerink \/ 2024 \/ 3&#8242; \/ 2D \/ Netherlands<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dog Ear<\/b><span style=\"font-weight: 400;\">, P\u00e9ter V\u00e1cz \/ 2025 \/ 20&#8242; \/ 2D \/ Hungary<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DOWN TO EARTH<\/b><span style=\"font-weight: 400;\">, Benjamin DELABAYS \/ 2025 \/ 4&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dragfox<\/b><span style=\"font-weight: 400;\">, Lisa Ott \/ 2024 \/ 8&#8242; \/ 2D, Stop motion \/ Switzerland, United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DUCKS<\/b><span style=\"font-weight: 400;\">, AJ Jefferies \/ 2025 \/ 5&#8242; \/ 3D Digital \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Eureka!<\/b><span style=\"font-weight: 400;\">, Kris Borghs \/ 2024 \/ 10&#8242; \/ 3D Digital \/ Belgium<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>EX-tract<\/b><span style=\"font-weight: 400;\">, Marcel Barelli \/ 2024 \/ 3&#8242; \/ Mixed techniques \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>First Flight<\/b><span style=\"font-weight: 400;\">, Adrian Jaff\u00e9 \/ 2024 \/ 3&#8242; \/ 3D Digital \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Fish River Anthology<\/b><span style=\"font-weight: 400;\">, Veera Lamminp\u00e4\u00e4 \/ 2024 \/ 10&#8242; \/ Stop motion \/ Finland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Forever<\/b><span style=\"font-weight: 400;\">, Th\u00e9o Djekou, Pierre Ferrari, Cyrine Jouini, Pauline Philippart, Anissa Terrier \/ 2024 \/ 6&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Freak of Nature<\/b><span style=\"font-weight: 400;\">, Alexandra Lermer \/ 2024 \/ 8&#8242; \/ Stop motion \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Free the Chickens<\/b><span style=\"font-weight: 400;\">, Mat\u00fa\u0161 Viz\u00e1r \/ 2024 \/ 15&#8242; \/ 2D \/ Slovakia, co-production with Czech Republic<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Full Nest<\/b><span style=\"font-weight: 400;\">, Elena Walf \/ 2025 \/ 6&#8242; \/ 2D \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Gardening<\/b><span style=\"font-weight: 400;\">, Sarah Beeby \/ 2024 \/ 14&#8242; \/ 2D \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Geom\u00e9trika<\/b><span style=\"font-weight: 400;\">, Nicole Blundell \/ 2024 \/ 4&#8242; \/ Mixed techniques \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Gnawer of Rocks<\/b><span style=\"font-weight: 400;\">, Louise Flaherty \/ 2025 \/ 14&#8242; \/ Stop motion \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Graffiti<\/b><span style=\"font-weight: 400;\">, Ryo Orikasa \/ 2024 \/ 13&#8242; \/ 2D, Drawing on paper, Stop motion, Cut-out, Mixed techniques \/ Japan, co-production with U.S.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>HEY DAD<\/b><span style=\"font-weight: 400;\">, WeiFan Wang \/ 2024 \/ 6&#8242; \/ 2D \/ Taiwan, co-production with United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>HIC SVNT DRACONES<\/b><span style=\"font-weight: 400;\">, Justin Fayard \/ 2025 \/ 13&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The house by the sea<\/b><span style=\"font-weight: 400;\">, Fulvio Davide Ricca \/ 2025 \/ 15&#8242; \/ 2D, 3D Digital \/ Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>How A River Is Born<\/b><span style=\"font-weight: 400;\">, Luma Fl\u00f4res \/ 2025 \/ 9&#8242; \/ 2D \/ Brazil<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Hunting<\/b><span style=\"font-weight: 400;\">, Lea Favre \/ 2024 \/ 11&#8242; \/ Stop motion \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Hurik\u00e1n<\/b><span style=\"font-weight: 400;\">, Jan Saska \/ 2024 \/ 13&#8242; \/ 2D, 3D Digital \/ Bosnia and Herzegovina, Czech Republic, France, Slovakia<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>In Our Hands<\/b><span style=\"font-weight: 400;\">, Camillo Sancisi \/ 2024 \/ 5&#8242; \/ Stop motion \/ Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Intermission<\/b><span style=\"font-weight: 400;\">, Milo Bonnard \/ 2025 \/ 10&#8242; \/ Stop motion \/ United Kingdom, co-production with France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jour de vent<\/b><span style=\"font-weight: 400;\"> \/ 2024 \/ 7&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Kaminhu<\/b><span style=\"font-weight: 400;\">, Marie Vieillevie \/ 2025 \/ 15&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Kill the horse<\/b><span style=\"font-weight: 400;\">, Xiaoruo Guo \/ 2024 \/ 10&#8242; \/ 2D, Mixed techniques \/ China<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>KYIV CAKE<\/b><span style=\"font-weight: 400;\">, Mykyta Lyskov \/ 2025 \/ 22&#8242; \/ 2D \/ Estonia<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Last Drop<\/b><span style=\"font-weight: 400;\">, Anna T\u0151k\u00e9s \/ 2024 \/ 11&#8242; \/ 2D \/ Hungary<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Lavomatrix<\/b><span style=\"font-weight: 400;\">, Matthieu Fulcheri, Simon Vernus, Mila Cottin, Martin Carvalho, Chlo\u00e9 Langlet, Lou-Eva Goimet \/ 2024 \/ 7&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Les B\u00eates<\/b><span style=\"font-weight: 400;\">, Michael Granberry \/ 2024 \/ 12&#8242; \/ Stop motion \/ United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Life is like that and not otherwise.<\/b><span style=\"font-weight: 400;\">, Lenia Friedrich \/ 2024 \/ 13&#8242; \/ 2D, Rotoscope \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Long Distance<\/b><span style=\"font-weight: 400;\">, Iulia Voitova \/ 2025 \/ 8&#8242; \/ 2D, Drawing on paper \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LOOK, said the dog<\/b><span style=\"font-weight: 400;\">, Matis INSERRA \/ 2024 \/ 3&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Love &#038; Gold<\/b><span style=\"font-weight: 400;\">, Connor Van Dyke \/ 2024 \/ 9&#8242; \/ 3D Digital \/ United States, United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MINE!<\/b><span style=\"font-weight: 400;\">, Lou Morton \/ 2024 \/ 8&#8242; \/ 2D \/ United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Monument Valley III: The Lighthouse<\/b><span style=\"font-weight: 400;\">, Daniel Chester, David Prosser, Margaux Scanatovits \/ 2024 \/ 6&#8242; \/ 3D Digital \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MORIN KHUUR<\/b><span style=\"font-weight: 400;\">, Pauline Grenier \/ 2025 \/ 4&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MOTHER Ltd.<\/b><span style=\"font-weight: 400;\">, Vendula Vel\u00edskov\u00e1 \/ 2025 \/ 9&#8242; \/ Stop motion \/ Czech Republic<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The mud under my window<\/b><span style=\"font-weight: 400;\">, Violette DELVOYE \/ 2024 \/ 13&#8242; \/ 2D \/ Belgium, co-production with France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>My good boy<\/b><span style=\"font-weight: 400;\">, Sara Priorelli \/ 2025 \/ 6&#8242; \/ 2D \/ Italy, co-production with Hungary<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>My Wonderful Life<\/b><span style=\"font-weight: 400;\">, Calleen Koh \/ 2024 \/ 10&#8242; \/ 2D, Stop motion \/ Singapore<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A Night at the Rest Area<\/b><span style=\"font-weight: 400;\">, Saki Muramoto \/ 2024 \/ 12&#8242; \/ 2D, Drawing on paper \/ Japan<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>No Room<\/b><span style=\"font-weight: 400;\">, Jelena Oroz \/ 2024 \/ 6&#8242; \/ 2D, Stop motion \/ Croatia<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Novavita<\/b><span style=\"font-weight: 400;\">, Francesco bruno sorrentino, Antonio Genovese \/ 2024 \/ 15&#8242; \/ 3D Digital, Stop motion \/ Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>O&#8217; Bingo!<\/b><span style=\"font-weight: 400;\">, Ian Kelewae \/ 2024 \/ 5&#8242; \/ Drawing on paper \/ United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Off-Time<\/b><span style=\"font-weight: 400;\">, Nata Metlukh \/ 2025 \/ 11&#8242; \/ 2D \/ Japan, Ukraine, United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>On Hold<\/b><span style=\"font-weight: 400;\">, Delia Hess \/ 2024 \/ 7&#8242; \/ 2D, Drawing on paper \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ostrich<\/b><span style=\"font-weight: 400;\">, Marie Kenov \/ 2025 \/ 9&#8242; \/ 2D \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ovary-Acting<\/b><span style=\"font-weight: 400;\">, Ida Melum \/ 2025 \/ 13&#8242; \/ Stop motion \/ Norway, Sweden, United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A Pain in the Butt<\/b><span style=\"font-weight: 400;\">, Elena Walf \/ 2025 \/ 6&#8242; \/ 2D \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PASTA!<\/b><span style=\"font-weight: 400;\">, Gottfried Mentor \/ 2025 \/ 5&#8242; \/ 2D, AI \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Percebes<\/b><span style=\"font-weight: 400;\">, Alexandra Ramires, Laura Gon\u00e7alves \/ 2024 \/ 12&#8242; \/ 2D \/ Portugal, co-production with France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Plunge<\/b><span style=\"font-weight: 400;\">, Ellie Land \/ 2024 \/ 8&#8242; \/ 2D, Mixed techniques, Live action \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Psychonauts<\/b><span style=\"font-weight: 400;\">, Niko Radas \/ 2025 \/ 8&#8242; \/ Stop motion \/ Croatia<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Pubert Jimbob<\/b><span style=\"font-weight: 400;\">, Quirijn Dees \/ 2024 \/ 16&#8242; \/ 3D Digital, Rotoscope \/ Belgium<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Quota<\/b><span style=\"font-weight: 400;\">, Job, Joris &#038; Marieke \u2013 \/ 2024 \/ 3&#8242; \/ 3D Digital \/ Netherlands<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Raaf<\/b><span style=\"font-weight: 400;\">, Jeroen Ceulebrouck \/ 2024 \/ 13&#8242; \/ 2D, Mixed techniques \/ Belgium, Portugal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Retirement Plan<\/b><span style=\"font-weight: 400;\">, John Kelly \/ 2024 \/ 7&#8242; \/ 2D \/ Ireland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Roe Deer<\/b><span style=\"font-weight: 400;\">, Delphine Priet-Mahe\u0301o \/ 2024 \/ 9&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Rosaria&#8217;s marriage<\/b><span style=\"font-weight: 400;\">, Oscar Renni, Adina Oana Enache \/ 2024 \/ 4&#8242; \/ 2D \/ Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Rossi Boomer<\/b><span style=\"font-weight: 400;\">, Bruno Bozzetto \/ 2025 \/ 6&#8242; \/ 2D \/ Italy<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUSHMORE<\/b><span style=\"font-weight: 400;\">, Oriane Azzhiri, Sarah Balanger, Alex Bruneau, Eva-Luna Delmas, Emeline Guid\u00e9, Clara Maynard, Tom Perrony, Elie Plisson \/ 2024 \/ 6&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Scrolling<\/b><span style=\"font-weight: 400;\">, Leandro Buglioni, Facundo Perez Cardella, Ignacio Espinosa, Facundo Gambacorta \/ 2025 \/ 2&#8242; \/ 3D Digital \/ Argentina<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Senior Activity<\/b><span style=\"font-weight: 400;\">, Julianna Misincsuk \/ 2024 \/ 2&#8242; \/ 2D, 3D Digital \/ Netherlands<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sequencial<\/b><span style=\"font-weight: 400;\">, Bruno Caetano \/ 2024 \/ 12&#8242; \/ 2D, Stop motion \/ France, Italy, Poland, Portugal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Shadow<\/b><span style=\"font-weight: 400;\">, Petra Baleki\u0107 \/ 2024 \/ 7&#8242; \/ 2D, Drawing on paper \/ Croatia<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Shadows<\/b><span style=\"font-weight: 400;\">, Rand Beiruty \/ 2024 \/ 12&#8242; \/ 2D \/ Jordan, co-production with France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Shadows<\/b><span style=\"font-weight: 400;\">, Chen-Chiao Wong \/ 2025 \/ 6&#8242; \/ 2D \/ Taiwan<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Skroll<\/b><span style=\"font-weight: 400;\">, Marten Visser \/ 2024 \/ 6&#8242; \/ 2D, 3D Digital \/ Netherlands<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Snow Globe<\/b><span style=\"font-weight: 400;\">, Jaime Domingues \/ 2025 \/ 4&#8242; \/ 3D Digital \/ Portugal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Society of Clothes<\/b><span style=\"font-weight: 400;\">, Dahee Jeong \/ 2024 \/ 15&#8242; \/ 2D \/ Canada, France, Korea, Republic of<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Song of the Sheep<\/b><span style=\"font-weight: 400;\">, Jules Marcel, Ana\u00efs Castro de Angel, Juliette Bigo, Evan Lambert, Alex Le Ruyet, Jeanne Bigo, Ana\u00efs Ledoux \/ 2024 \/ 8&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sortie de route<\/b><span style=\"font-weight: 400;\">, Alice Beneux, Victoria Demonin, Laura Lebaillif, Zohra Lecointre, Camille Maniffatore, Nathan Mathieu, No\u00e9mie Thiallier \/ 2024 \/ 6&#8242; \/ 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Still Moving<\/b><span style=\"font-weight: 400;\">, Rui Ting Ji \/ 2025 \/ 11&#8242; \/ Mixed techniques \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Stuffed<\/b><span style=\"font-weight: 400;\">, Louise Labrousse \/ 2024 \/ 10&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Tell Me A Piece<\/b><span style=\"font-weight: 400;\">, Anna Walczak \/ 2024 \/ 6&#8242; \/ 2D \/ Poland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>There will be no other end<\/b><span style=\"font-weight: 400;\">, Piotr Milczarek \/ 2024 \/ 8&#8242; \/ 2D \/ Poland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Three Sisters<\/b><span style=\"font-weight: 400;\">, Timur Kognov \/ 2024 \/ 15&#8242; \/ 2D \/ Cyprus<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>TURBULENCE<\/b><span style=\"font-weight: 400;\">, Christopher Rutledge, Magnus Igland M\u00f8ller \/ 2025 \/ 4&#8242; \/ 3D Digital \/ Denmark, United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Turduck-in<\/b><span style=\"font-weight: 400;\">, Sydney Christensen \/ 2024 \/ 2&#8242; \/ 3D Digital \/ United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>TV or The Disturbance on Forest Hill Road<\/b><span style=\"font-weight: 400;\">, Frederic Siegel \/ 2025 \/ 14&#8242; \/ 2D \/ Switzerland<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Two Ships<\/b><span style=\"font-weight: 400;\">, McKinley Benson \/ 2025 \/ 6&#8242; \/ 2D \/ Portugal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Uncertified Document<\/b><span style=\"font-weight: 400;\">, Hao WANG, Ying WAN, Ximing LI, Nahee JANG \/ 2024 \/ 7&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Unidentified<\/b><span style=\"font-weight: 400;\">, Dave McKenna, Steve Roberts \/ 2024 \/ 2&#8242; \/ 2D \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>UROSH<\/b><span style=\"font-weight: 400;\">, Mato Uljarevi\u0107 \/ 2025 \/ 8&#8242; \/ Drawing on paper \/ Montenegro<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The Way You Look Tonight<\/b><span style=\"font-weight: 400;\">, Christoph Horch \/ 2025 \/ 7&#8242; \/ 2D \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>When The Tide Comes<\/b><span style=\"font-weight: 400;\">, F\u00eat-Nat Bailly \/ 2025 \/ 10&#8242; \/ Mixed techniques \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Where Do Birds Go When They Die?<\/b><span style=\"font-weight: 400;\">, Guido Devoto \/ 2025 \/ 7&#8242; \/ 3D Digital \/ Argentina<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Why Don&#8217;t You Touch Me?<\/b><span style=\"font-weight: 400;\">, Eli\u0161ka Oz \/ 2025 \/ 6&#8242; \/ Stop motion \/ Czech Republic<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Wild Flowers<\/b><span style=\"font-weight: 400;\">, Thierry Sirois, Rodolph Saint-Gelais \/ 2024 \/ 6&#8242; \/ 2D \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Witness: An Organima Film<\/b><span style=\"font-weight: 400;\">, Nik Arthur \/ 2024 \/ 6&#8242; \/ Stop motion, Mixed techniques \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Words of Her<\/b><span style=\"font-weight: 400;\">, Charlene Xu \/ 2024 \/ 10&#8242; \/ 2D, Drawing on paper, Rotoscope \/ United States, co-production with China<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Wormwood<\/b><span style=\"font-weight: 400;\">, Matthieu DUPILLE, Binlin XIE, Alexander VANDERPLANK, Ninon QUEMENER, Phil\u00e9mon MARTIN, Chenhe LIU \/ 2024 \/ 10&#8242; \/ 2D, 3D Digital \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Yesterday is later<\/b><span style=\"font-weight: 400;\">, Diego Solano Flores \/ 2025 \/ 8&#8242; \/ 2D, Drawing on paper, Stop motion, Live action \/ Mexico<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Ying &#038; Yang<\/b><span style=\"font-weight: 400;\">, Iria Lopez, Daniela Negrin Ochoa \/ 2025 \/ 2&#8242; \/ 2D \/ United Kingdom<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Zarko, You Will Spoil the Child!<\/b><span style=\"font-weight: 400;\">, Veljko Popovic, Milivoj Popovic \/ 2024 \/ 14&#8242; \/ 2D \/ Croatia, France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><b>Ziki<\/b>, Roberta Palmieri, Olga Sargenti \/ 2025 \/ 13&#8242; \/ 2D \/ Italy<\/span><\/li>\n<\/ol>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-29qypi-346dc42fd415685c297dac86e0aeb4a1\">\n#top .hr.hr-invisible.av-29qypi-346dc42fd415685c297dac86e0aeb4a1{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-29qypi-346dc42fd415685c297dac86e0aeb4a1 hr-invisible  avia-builder-el-7  el_after_av_hr  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2 style=\"text-align: justify;\">MUSIC VIDEOS<\/h2>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Angiospermes<\/b><span style=\"font-weight: 400;\">, tiantian qiu \/ 2024 \/ 4&#8242; \/ 2D \/ China, France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>La Banda Bast\u00f6n &#8211; Degeneraci\u00f3n Nacional<\/b><span style=\"font-weight: 400;\">, Nespy 5Euro \/ 2024 \/ 3&#8242; \/ 2D \/ Mexico<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b><span data-sheets-root=\"1\">Como el Caracol<\/span><\/b><span style=\"font-weight: 400;\">, Katalin Egely \/ 2024 \/ 5&#8242; \/ 2D, Stop motion, Mixed techniques \/ Argentina, co-production with Hungary<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Dance of Creation<\/b><span style=\"font-weight: 400;\">, Natalia Ryss \/ 2025 \/ 3&#8242; \/ 2D, Drawing on paper, Mixed techniques \/ Israel<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Flowers<\/b><span style=\"font-weight: 400;\">, Mathieu Labaye \/ 2024 \/ 4&#8242; \/ 2D \/ Belgium<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Funny Frog<\/b><span style=\"font-weight: 400;\">, Daniel Amar \/ 2025 \/ 4&#8242; \/ 2D, Live action \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Grandma&#8217;s Recipe<\/b><span style=\"font-weight: 400;\">, Carlon Hardt \/ 2024 \/ 3&#8242; \/ Stop motion \/ Brazil<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Julie<\/b><span style=\"font-weight: 400;\">, Daphna Awadish Golan \/ 2024 \/ 5&#8242; \/ Rotoscope, Mixed techniques \/ United States, co-production with Netherlands<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Knockin&#8217; Heart<\/b><span style=\"font-weight: 400;\">, Gabriela Sibilska \/ 2025 \/ 3&#8242; \/ 2D \/ United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Laguna Plena<\/b><span style=\"font-weight: 400;\">, Carlon Hardt, Rimon Guimar\u00e3es \/ 2024 \/ 4&#8242; \/ 2D, Rotoscope, Mixed techniques \/ Brazil<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Lay Me Down (HMLTD)<\/b><span style=\"font-weight: 400;\">, Emmanuelle Mohnblatt, S\u00e9bastien Kirszenblat, Marie Deboissy \/ 2024 \/ 5&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Let Go<\/b><span style=\"font-weight: 400;\">, Simon Medard \/ 2024 \/ 3&#8242; \/ 2D \/ Belgium<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Mediterranee<\/b><span style=\"font-weight: 400;\">, Cl\u00e9ment Soulmagnon \/ 2024 \/ 4&#8242; \/ 2D \/ France<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Nap Eyes &#8211; Dark Mystery Enigma Bird<\/b><span style=\"font-weight: 400;\">, Jordan Minkoff \/ 2024 \/ 5&#8242; \/ 2D \/ Canada<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Paulinha<\/b><span style=\"font-weight: 400;\">, Ana Marta Mendes \/ 2025 \/ 3&#8242; \/ 2D \/ Portugal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PRIME<\/b><span style=\"font-weight: 400;\">, Hoji Tsuchiya \/ 2025 \/ 4&#8242; \/ Stop motion, Cut-out, Live action \/ Japan<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Reason and Impulse &#8211; Disappear<\/b><span style=\"font-weight: 400;\">, Ala Nunu \/ 2024 \/ 4&#8242; \/ 2D \/ Portugal, co-production with United States<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Sky Deverel &#8211; RUN<\/b><span style=\"font-weight: 400;\">, Michelle Brand \/ 2025 \/ 4&#8242; \/ 2D \/ Germany<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Star<\/b><span style=\"font-weight: 400;\">, Louise-Marie Colon, Deplhine Hermans, Elodie Verheyden \/ 2024 \/ 3&#8242; \/ 2D, Cut-out \/ Belgium<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>This Lexia &#8211; Go to the stadium<\/b><span style=\"font-weight: 400;\">, agustin lopez saubidet \/ 2024 \/ 3&#8242; \/ AI \/ Argentina<\/span><\/li>\n<\/ol>\n<\/div><\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7033","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/pages\/7033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/comments?post=7033"}],"version-history":[{"count":37,"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/pages\/7033\/revisions"}],"predecessor-version":[{"id":47878,"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/pages\/7033\/revisions\/47878"}],"wp:attachment":[{"href":"https:\/\/weirdmarket.es\/en\/wp-json\/wp\/v2\/media?parent=7033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}