WFEST SELECTION
The competitive section of the festival will take place over two sessions during the event (from September 30th to October 3rd) and is open only to accredited attendees. In addition, there will be screenings open to the general public, both at La Mutant Espai d’Arts Vives and at La Filmoteca. Full information about the sessions can be found at this link.
NATIONAL SELECTION
- 25 haikus animados, Jaime Penalva / 2025 / 3′ / 2D
- Anaglifo, Valle Comba / 2025 / 9′ / 2D
- Jervasio, Felix Bollain, David Rosel / 2025 / 5′ / Drawing on paper
- Mater Benefacta, Marc Riba, Anna Solanas / 2024 / 12′ / Stop motion
- One-Way Cycle, Alicia Núñez Puerto / 2025 / 10′ / 2D, Stop motion / Co-production with Portugal
- Poor Marciano, Alex Rey / 2025 / 7′ / 2D
- When it comes (it will have your eyes), Izibene Oñederra / 2024 / 13′ / 2D
Image: Shortfilm “Mater Benefacta”
INTERNATIONAL SELECTION
- Adiós, José Prats / 2025 / 9′ / Stop motion / United Kingdom
- Balconada, Iva Tokmakchieva / 2025 / 8′ / 2D / Bulgaria, co-production with France
- Detlev, Ferdinand Ehrhardt / 2024 / 13′ / Stop motion / Germany
- Dog Bridge, Jorn Leeuwerink / 2024 / 3′ / 2D / Netherlands
- DOWN TO EARTH, Benjamin DELABAYS / 2025 / 4′ / 2D / France
- DUCKS, AJ Jefferies / 2025 / 5′ / 3D Digital / United Kingdom
- How A River Is Born, Luma Flôres / 2025 / 9′ / 2D / Brazil
- Hurikán, Jan Saska / 2024 / 13′ / 2D, 3D Digital / Bosnia and Herzegovina, Czech Republic, France, Slovakia
- MINE!, Lou Morton / 2024 / 8′ / 2D / United States
- A Night at the Rest Area, Saki Muramoto / 2024 / 12′ / 2D, Drawing on paper / Japan
- No Room, Jelena Oroz / 2024 / 6′ / 2D, Stop motion / Croatia
- Off-Time, Nata Metlukh / 2025 / 11′ / 2D / Japan, Ukraine, United States
- Ostrich, Marie Kenov / 2025 / 9′ / 2D / Switzerland
- Percebes, Alexandra Ramires, Laura Gonçalves / 2024 / 12′ / 2D / Portugal, co-production with France
- Quota, Job, Joris & Marieke – / 2024 / 3′ / 3D Digital / Netherlands
- Raaf, Jeroen Ceulebrouck / 2024 / 13′ / 2D, Mixed techniques / Belgium, Portugal
- Sequencial, Bruno Caetano / 2024 / 12′ / 2D, Stop motion / France, Italy, Poland, Portugal
- Shadows, Rand Beiruty / 2024 / 12′ / 2D / Jordan, co-production with France
- There will be no other end, Piotr Milczarek / 2024 / 8′ / 2D / Poland
- TURBULENCE, Christopher Rutledge, Magnus Igland Møller / 2025 / 4′ / 3D Digital / Denmark, United States
- When The Tide Comes,Fêt-Nat Bailly / 2025 / 10′ / Mixed techniques / United Kingdom
- Why Don’t You Touch Me?, Eliška Oz / 2025 / 6′ / Stop motion / Czech Republic
Image: Shortfilm “How A River Is Born“